Wednesday, February 12, 2025

A Two-Star Review of Five Easy Pieces: The Film That Made Me Want to Hold the Chicken

There’s a moment in Five Easy Pieces where Jack Nicholson, in his signature brand of disheveled angst, tries to order toast at a diner. The waitress says no. He then performs mental gymnastics that would put an Olympic gymnast to shame, eventually demanding she “hold the chicken” in a way that can only be described as equal parts genius and tantrum. It’s iconic. It’s legendary. It’s… the only thing I truly enjoyed about this movie.

A Road Trip Through History (That Feels as Long as One)

Released in 1970, Five Easy Pieces is often hailed as a defining work of the New Hollywood era, that rebellious time in cinema where directors traded glossy Hollywood endings for gritty realism and deep existential crises. Bob Rafelson, the film’s director, co-wrote it with Carole Eastman, who went by the pseudonym Adrien Joyce, perhaps to shield herself from blame should audiences decide they preferred more than five easy pieces of entertainment. The story follows Bobby Dupea, a once-promising classical pianist turned wandering oil rigger, which in the 1970s apparently counted as “character development.”

Much of the film was shot in the Pacific Northwest, featuring landscapes so gray and moody they make Seattle look like a tropical paradise. The script was originally a deeply personal reflection of Rafelson’s own life, but Eastman reshaped it, making Bobby less of a self-portrait and more of a walking, talking cautionary tale. Thematically, it’s about class struggles, self-imposed exile, and the ever-relatable urge to abandon your entire life at a gas station.

Casting: The Good, The Bad, and The Existentially Confused

Jack Nicholson, fresh off Easy Rider, took on the role of Bobby Dupea with the same smirking rebellion that would later define One Flew Over the Cuckoo’s Nest and The Shining. He plays Bobby like a man who perpetually lost his car keys but won’t admit it. Karen Black, as his earnest but simple-minded girlfriend Rayette, gives a performance so tragic and heartfelt you almost forget she spends most of the movie being treated like an afterthought.

Susan Anspach, as Catherine, represents the intellectual, privileged world Bobby abandoned—though why she’s even remotely interested in him remains one of the film’s greatest mysteries. The real star, however, might just be László Kovács’ cinematography, which captures the desolation of the American road with the same level of care Bobby refuses to give anyone in his life. Also, fun fact: Nicholson wore director Rafelson’s actual clothes for most of the movie, proving once and for all that this film is basically one big midlife crisis.

Reception and Legacy: Critics Loved It, But Do You?

Five Easy Pieces was nominated for four Academy Awards, including Best Picture and Best Actor for Nicholson, making it one of those films that critics raved about but audiences left scratching their heads. Roger Ebert called it “a masterpiece of heartbreaking intensity.” Meanwhile, audiences called it, “Wait, that’s the ending?” and “Why is he so mean to everyone?”

Its famous final scene—where Bobby abandons his girlfriend, steals a truck ride to nowhere, and possibly freezes to death in Alaska—has been dissected endlessly. Some say it’s a poetic statement about the inability to escape oneself. Others say it’s just a guy running from responsibility, like a hipster version of Forrest Gump but with fewer life lessons and more cigarettes.

Over time, Five Easy Pieces became a cornerstone of ‘70s existential cinema, proving that sometimes a road movie doesn’t need a destination, just a brooding protagonist and a lot of sad music. But does it hold up? If you enjoy watching a talented but insufferable man self-destruct for two hours, you’re in luck! Otherwise, you may find yourself rooting for the waitress in the diner scene, because at least she has the courage to say no.

The Final Verdict

At the end of the day, Five Easy Pieces is a well-crafted film that offers a lot to appreciate—if you enjoy bleak character studies about people making terrible life choices. As a time capsule of 1970s disillusionment, it’s essential. As a fun Saturday night watch? About as enjoyable as getting stuck in traffic on an unopened freeway.

⭐️⭐️ (2/5)

#HoldTheChicken #NicholsonTantrumEra #GasStationGhosting #RoadTripRegrets #NewHollywoodNihilism #CatherineDeservedBetter #BobbyDupeaWorstBoyfriend #DinerSceneGOAT #AlaskaOrBust #KarenBlackCarried

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